These learning activities were created for the Defining Democracy workshop series. Each activity utilizes materials from The 1619 Project and provides strategies for engaging with the workshop themes. The Defining Democracy series is designed to equip educators with resources and strategies for exploring the theme of American democracy in their classrooms and communities.
STRUCTURE
During the “Reframing American Democracy Workshop,” educators explored how the Black voices and perspectives centered in The 1619 Project help to reframe how we define and teach about democracy in America. The activities in this toolkit provide a strategy for engaging with 1619 Project materials and curricular resources connected to the workshop themes.
- The Legacies of Enslavement Activity utilizes, "Why Can't We Teach This," by Nikita Stewart to support conversation about best practices for teaching about the legacy of enslavement in American democracy.
- The Conversational Democracy Education Activity utilizes both versions of Jamelle Bouie’s essay for The 1619 Project, “Undemocratic Democracy,” from the magazine issue and, “Politics,” from A New Origin Story, to demonstrate the ways in which conversations about democracy can adapt and the purposes that exist for doing so.
- The Memory Work Activity utilizes the archival images in The 1619 Project: A New Origin Story to illustrate how we construct cultural memory and how that influences our understanding of democracy.
This is an activity utilizing the essay “Why Can’t We Teach This” by Nikita Stewart to support conversation about best practices for teaching about the legacy of enslavement in American democracy.
Which educators in your community are best equipped to successfully teach about the legacies of slavery in American democracy?
STEP 1: BUILDING PERSONAL CONNECTION
- Frame the activity for your participants and ask them to consider an educator in their community who they believe could successfully teach about the legacies of slavery in American democracy.
- Invite participants to share 1-2 of the characteristics and/or teaching habits that led them to consider this educator.
- Introduce “Why Can’t We Teach This,” an essay that examines the ideologies and trends that have prevented accurate teaching about enslavement and names inadequate teaching about enslavement as educational malpractice.
- Discuss participant responses to this framing. What were they taught about the history of enslavement in the United States, and how was it presented?
STEP 2: IDENTIFYING TEACHING TRENDS
- Explain to participants that you will share two excerpts from the essay citing trends in how we teach about enslavement and prompt them to respond, indicating whether the stated trend is reflective of trends within their own school community. (You can incorporate trends about history education from other sources as well.)
- Instruct participants that you would like them to indicate how reflective a trend is of their school community on a scale of 0-5, with 0 being “not so reflective” and 5 being “very reflective.”.
- Use the recommended excerpts and any additional trends you’ve identified from other relevant sources to facilitate the activity.
- Discuss participant takeaways and recording reflections on what their school community is collectively doing well and where they can improve.
STEP 3: APPLICATION
- Share the essay text with participants. Read it in full or excerpt the closing paragraphs where Nikita Stewart reflects on listening to a recorded narrative from her great-grandfather who was formerly enslaved.
- Ask participants to reflect and share the opportunities that exist to include the perspectives of enslaved and formerly enslaved people in their teaching and learning. What might the potential impact be?

Library of Congress
This is an activity utilizing both versions of Jamelle Bouie’s essay for The 1619 Project, “Undemocratic Democracy,” from the magazine issue and “Politics,” from A New Origin Story, to demonstrate the ways in which conversations about democracy can adapt and the purposes that exist for doing so.
How have you noticed The 1619 Project evolving to connect with new audiences and inspire new conversations about the legacies of slavery and contributions of Black Americans to democracy?
STEP 1: BUILDING CONTEXT
- Frame the activity for your participants, using the, “Teaching The 1619 Project,” page on the website to explain the relationship between the original magazine publication and the book anthology, A New Origin Story.
- Discuss the other ways participants have seen the Project evolve, connecting with new audiences and encouraging new conversations.
STEP 2: RESOURCE EXPLORATION
- Use the relevant summary from the 1619 Project Curriculum Guide to frame the “Politics” essay. Note that the original version of the essay is published in 2019, before the 2020 election, the event in conversation at the beginning and ending of the anthology version.
- Explain to participants that they will have time to review two different paragraphs from “Undemocratic Democracy” that are updated in the “Politics” version of the essay.
- Instruct participants to reflect on the excerpt comparisons by responding to questions of “What changed with the text edit?,” “What remained the same?,” and “How might the changes impact audience understanding or engagement with the topic?”
- Provide time for participants to review excerpts independently. Then invite them to share reflections, discussing each of the prompts.
Excerpt from, "Undemocratic Democracy," by Jamelle Bouie
Not surprisingly, enslavers dominated the state’s political class. “Carolinian rice aristocrats and the cotton planters from the hinterland,” Sinha writes, “formed an intersectional ruling class, bound together by kinship, economic, political and cultural ties.” The government they built was the most undemocratic in the Union. The slave-rich districts of the coasts enjoyed nearly as much representation in the Legislature as more populous regions in the interior of the state. Statewide office was restricted to wealthy property owners. To even qualify for the governorship, you needed a large, debt-free estate. Rich enslavers were essentially the only people who could participate in the highest levels of government. To the extent that there were popular elections, they were for the lowest levels of government, because the State Legislature tended to decide most high-level offices.
Excerpt from, "Politics," by Jamelle Bouie
Not surprisingly, enslavers dominated the state’s political class. “Carolinian rice aristocrats and the cotton planters from the hinterland,” Sinha writes, “formed an intersectional ruling class, bound together by kinship, economic, political and cultural ties.” The government they built was the most undemocratic in the Union. The coastal districts, with their large numbers of enslaved people, enjoyed nearly as much representation in the Legislature as more populous regions in the interior of the state. Statewide office was restricted to wealthy property owners. To even qualify for the governorship, you needed a large, debt-free estate. Rich enslavers were essentially the only people who could participate in the highest levels of government. To the extent that there were popular elections, they were for the lowest levels of government, because the State Legislature tended to decide most high-level offices.
Excerpt from, "Undemocratic Democracy," by Jamelle Bouie
“But immense power at home could not compensate for declining power in national politics. The growth of the free Northwest threatened Southern dominance in Congress. And the slaveholding planter class would witness the rise of an organized movement to stop the expansion of slavery and curb the power enslavers held over key institutions like the Senate and the Supreme Court.”
Excerpt from, "Politics," by Jamelle Bouie
“But immense power at home could not compensate for declining power in national politics. Despite the Three-Fifths Clause in Article I of the Constitution, which gave enslavers an almost uninterrupted hold on the presidency from 1789 to 1850, there were clear signs in the first decades of the nineteenth century that the South’s influence was coming to an end. Immigration to the North and the growth of the North’s white population in general, as well as the growth of the free Northwest, threatened Southern dominance in Congress. Major rebellions of enslaved people in Louisiana and Virginia, as well as the rise of Haiti as an independent Black nation, left the owners of enslaved people paranoid to the point of hysteria. A steady stream of escaped enslaved men and women threatened the defense of chattel slavery, as the formerly enslaved unsettled the ideological foundations of the South with their own lives and testimony. And the movement to end slavery, once a small fringe, had gained strength and numbers, as well as new arguments and new advocates. By the 1840s, political abolition had come into its own as a movement with real weight on the stage of American politics.”
STEP 3: BUILDING PERSONAL CONNECTIONS
- Ask participants to provide a variety of motivations for the edits we see in the “Politics” essay. Use the list below to supplement their ideas and inspire more conversation
- Encourage participants to consider what factors might be blocking productive conversation about the legacies of slavery in democracy in their school community and to problem solve around strategic pivots and reframes.
There could be multiple motivations for the edits we see within the Anthology including:
- More space on the page
- New political events
- Better alignment of voice and tone
- A desire for increased clarity
- Response to pushback
What considerations could be blocking or stalling this work in your school community?
- Do plans need be adapted to more accurately reflect time and capacity?
- Are there new and urgent political events impacting your school community?
- Are educators aligned in their messaging? Does your community need more shared language?
- Are folks aligned in their intention to seek clarity?
- Are community questions and concerns being effectively addressed?
This is an activity using the archival images in The 1619 Project: A New Origin Storyto illustrate how we construct cultural memory and how that influences our understanding of democracy. This activity can also be completed with images from the original magazine issue.
What resources and information from The 1619 Project stay most prevalent in your memory?
STEP 1: PERSONAL CONNECTION
- Frame the activity for your participants and ask them, "What resources and information from The 1619 Project stay most prevalent in your memory?"
- Discuss which elements of the project feel most memorable to participants.
STEP 2: RESOURCE EXPLORATION
- Explain to participants that you will share archival images from A New Origin Story and prompt them, after each image, to respond, indicating their familiarity with the image through a number scale. After everyone has had a chance to share, you will let them know the origin of the image.
- Instruct participants on how you would like them to indicate:
- 1: I recognize this image and can place it outside of The 1619 Project
- 2: I recognize this image but cannot place it outside of The 1619 Project
- 3: I do not recognize this image
- Use the recommended images and any other images from The 1619 Project that might be relevant to your participants to facilitate the activity. You should end with the image of Nikole Hannah-Jones’ father, Milton Hannah, from Chapter 1.
- Discuss how the images in The 1619 Project help support our understanding of American democratic history. What is the significance of including both personal photographs, like the one of Milton Hannah, alongside the photographs that already have some place in many people’s cultural memory?
STEP 3: GROUP LISTENING
- Listen together to Kimberly Annece Henderson, the archivist who curated the photos for A New
- Listen together to Kimberly Annece Henderson, the archivist who curated the photos for A New Origin Story, speaking about the power of historical archives. (Recording from the "Power and Purpose of Historical Archives" webinar, 17:18-23:47)
- Discuss the impact of the memory work Henderson is doing both within and outside of her work with The 1619 Project.
- Encourage participants to reflect on the people and spaces doing memory work in their community. Invite them to share ideas about how they can make more connections to that work within their school community.